![]() History and compositionĪnalytical cubism was the first form of cubism to be developed in the early 20 th century and that was between 19. The end result is the illusion of reconfiguration of space, where all sides of an object can be viewed on a two dimension plane (Hunter et al 19). Such paintings can be viewed from different angles and this is achieved by reconstructing an image into a composition of geometric shapes planes and colors. Synthetic cubism on the other hand focuses more on the imitation of an image usually using bright colors or collage hence the artwork is more often two dimension.Ī typical Cubist painting depicts real or natural objects from variable viewpoints, showing many parts of the subject at the same time (Becker 1). Comparison between analytical and synthetic cubismĪnalytical cubism focuses more on breaking down an image into its many forms and viewpoints in order to “analyze” the image in all the possible angles and context, to the illusion of a three dimension appearance (Honour & Fleming 121). This approach is prominent in most cubist paintings. In order to accentuate his paintings and still underscore his two dimension approach, Cézanne opted for abstract work and the tonal variation of color. ![]() ![]() In line with this ideology, Cézanne abandoned the conventional three dimension perspective approach and removed special features and perspective elements from his work. He was of the view that paintings should embrace a two dimensions scope in order to show the difference between art and real objects (Becker 1). Cubism heavily relies on randomness thus the artwork generally lacks depth but is greatly enriched in expression.Ī significant influence to early cubism is Paul Cézanne (1839-1906) Cézanne was the first artist to paint with hints of cubism after he abandoned the application of depth in all of his paintings. The aim of cubism is to use a single image to depict different ideas hence allowing one single image to portray different perceptions. The basic principle of cubism is the degeneration of an image, which is then re-assembled into an abstract image to articulate several viewpoints. There are two distinct types of cubism analytical and synthetic, the main difference between them being in the composition. Initially, cubism was not widely accepted but pioneer cubists such as Pablo Picasso and George Braque played a pivotal role in perpetuating the new form of art to the mainstream. Picasso's work can thus be seen as simultaneously warning against the absurdity of modern life while also delighting in life's simple pleasures.In the early 20 th century, the art culture in France took a dynamic turn from conventional art to adopt a contemporary form of art known as cubism. Along with the texts, the distorted, fragmented forms in this Cubist image allude to such conditions of modernity as the lack of coherent perspectives or meanings in a constantly changing world. The texts add a political and social dimension to the image: they juxtapose newspaper articles referring to horrific events from the First Balkan war with stories of Parisian frivolity. ![]() ![]() Serving as a formal element, the newsprint also suggests the popular Parisian café activity of reading the paper while smoking and drinking. These abstract, fragmented elements all appear to rest on a blue table in front of a wall with diamond-patterned wallpaper and newsprint. In La Bouteille de Suze, Picasso used cut fragments of newsprint, wallpaper, and construction paper, as well as gouache and charcoal, to suggest a liquor bottle with a label and, on the left, a glass and an ashtray with cigarette and smoke. Pablo Picasso's La Bouteille de Suze is a key image of the late Synthetic Cubism developed by Georges Braque, Juan Gris, and Picasso, in which the artists synthesized separate elements from real life in their pictures to suggest objects and environments. ![]()
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